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Beginning - 07 Feb 2026

Tiarna Mhuigh Eo: Sing and play a celebrated 18th-century Irish harper’s song

Description

The celebrated song, Tiarna Mhaigh Eo [‘Lord Mayo’],  is a rare example of a song from the harping tradition that combines a beautiful melody with the work of a highly accomplished lyricist, skilled in the art of accentuated Gaelic poetry. The lyrics also provide a unique insight into the social interaction between Gaelic harpers and their aristocratic patrons in a period when this ancient tradition of patronage of the poets and harpers was coming to an end. 

The song has been attributed to the 18th-century harper, Dáibhí Ó Murchadha [David Murphy], and consists of an apology and offer of reconciliation to the harper’s patrons: the sixth Viscount Mayo, Theobald Bourke and his wife, Lady Mary.  We are told that Ó Murchadha fell out with his patrons and absented himself from their presence for some years. He returned, however, to their ancestral seat, Caisleán an Bhúcaigh [Castlebourke] on Christmas Eve night to perform this beautiful composition. 

In his three sessions, singer, piper and scholar, Éamonn Ó Bróithe, will teach you how to sing the song, explaining the meaning of the words in detail, guiding you in the pronunciation of these and the vocal phrasing implied by the lyrics. He will also explain how the metre of the verses should inform your performance. 

In her three sessions, harpist and musicologist, Siobhán Armstrong, will get you ‘singing’ the song with your fingers on your harp, guided by what you have already learned by studying and singing the song. You will also get to explore the many – and very interesting – surviving manuscript and early printed sources for the melody: from a version in the first ever collection of Irish music printed in Ireland (1724), through a 19th-century source from the Hebrides in Scortland, to an archive recording from 1903, amongst others. In the final session, Siobhán may also introduce you to a gorgeous slow-air variant of Tiarna Mhuigh Eo collected by Séamus Ennis in Donegal in 1943, and recorded by the Donegal fiddler Frank Cassidy, among others, in the 1970s.

All harps welcome!

Course Duration

6 Sessions

Level

Intermediate+

Class Time

2:00–3:15 pm (Irish time)

Tutor(s)

Price

€99.00

Saturday | 2:00–3:15 pm (Irish time)

07 Feb

Session 1

Speaking, understanding, and singing Verse 1

In this session, Éamonn will teach you how to sing Verse 1, exploring the meaning of the words in detail, learning how to pronounce them, and the vocal phrasing implied by these lyrics. You will also learn how the metre of the verse should inform your performance.

14 Feb

Session 2

Speaking, understanding, and singing Verse 2

In this session, Éamonn will work with you in a similar way, now on Verse 2.

21 Feb

Session 3

‘Sing’ the melody with your fingers

Now, with Siobhán’s guidance, you will use your harp in class to ‘sing’ the melody with your fingers, incorporating all you have learned from becoming familiar with the lyrics of verses 1 and 2, and with the melody in the way you already phrased it as you sang it through with Éamonn. If we have time, Siobhán will begin to explore manuscript and printed sources for this song, from the first in 1724, working through to the nineteenth century. 

28 Feb

Session 4

Speaking, understanding, and singing Verse 3

In this session, Éamonn will work with you in a similar way to sessions 1 and 2, this time exploring Verse 3.

07 Mar

Session 5

Exploring melodic sources

In this session, Siobhán will explore with you any medlodic sources not yet examined. She will also listen to you play (and sing?) parts or all of the composition – either just the melody (less advanced students) or a setting for both hands (more advanced players), giving you feedback to help you become more fluent and confident.

14 Mar

Session 6

Title TBD

What to Expect

In this course, students will

  • learn to understand, pronounce and sing the lyrics of three verses of an iconic Irish harper’s song
  • learn to recognise and reproduce the vocal phrasing implied by the lyrics; to explore the poetic metre in Tiarna Mhuigh Eo, and how this knowledge can enhance your performance of the song
  • use the lyrics, and the vocal phrasing you have now embodied to bring the melody to life on your harp, helping your fingers to play in a more sensitive, nuanced way
  • discover how to produce flexible and fluid speech rhythms in your own harp performance of the composition
  • learn a historically plausible accompaniment idiom to perform Irish harpers’ songs
  • be guided through surviving historical sources of this song:  from 18th-and 19th-century manuscript and printed sources to 20th-century archive recordings of fiddlers and pipers. 

Technical Requirements

  • A laptop, desktop or tablet computer; we do not recommend using a phone to participate
  • Speakers or headphones
  • Access to a printer for downloadable course materials
  • Access to the Zoom platform; further information to help you get set up for participating over Zoom will be sent after you have registered

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